My work exists at the intersection of storytelling, systems design, and emerging media. Each project is built as part of a larger ecosystem where games, hardware, software, film, and writing inform and strengthen each other. The goal is not to create isolated products, but interconnected experiences that explore perception, behavior, and how humans interact with technology.

Across video games, experimental hardware like the YUMI Lens, AI-driven tools such as TABS, editorial media, and long-form writing, the same core philosophy applies: design experiences that react, adapt, and feel alive. Games become psychological systems. Cameras become playable interfaces. Software becomes a way to visualize labor and intention. Writing becomes a blueprint for understanding how attention and control are engineered.

All of this work is built through real prototypes, live software tests, physical hardware iterations, and playable game builds developed in Unreal Engine. This ecosystem approach allows ideas to move fluidly between mediums. A mechanic tested in a game can inform a real-world tool. A psychological concept explored in a book can shape how an AI system behaves. Visual language developed in film and animation feeds directly into world-building and interaction design.

The result is a body of work that treats technology as narrative, design as psychology, and media as a living system. Every project is a different expression of the same question: how do we build experiences that feel intelligent, emotionally responsive, and deeply intentional?